tag:blogger.com,1999:blog-5636182011103449132024-03-13T16:18:42.709-04:00Designs By EileenEileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.comBlogger53125tag:blogger.com,1999:blog-563618201110344913.post-8296828554424210302013-05-04T17:23:00.000-04:002013-05-04T17:23:55.540-04:00The Florence Hotel<div class="separator" style="clear: both; text-align: center;">
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<br />Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com1tag:blogger.com,1999:blog-563618201110344913.post-59759100481214853602013-05-01T21:19:00.001-04:002013-05-04T20:27:53.305-04:00Final Design Project - Pickett Cotton Mill<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Light plays a major roll in my vision for Pickett. In touring Goldenbelt as a precedent study for Pickett, the light was revealed at Blend, the coffee shop - just as it would appear once the historic windows were restored. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">A guide for my design at Pickett was following the teachings of Thomas Berry's "The Great Story", and emphasizing that we are a member of a community. Making connections to the natural world is demonstrated with the</span><span style="font-family: Arial, Helvetica, sans-serif;"> tranquility of the water feature in the lobby area with the backdrop viewing the ripples in the </span><span style="font-family: Arial, Helvetica, sans-serif;">glass </span><span style="font-family: Arial, Helvetica, sans-serif;">partitions for the restaurant. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I further developed my floor plan in the mercantile spaces that generate revenue, and bring activity to the the mix use community center. This section of the mix use spaces is where most of the public activity would be concentrated. It is at the opposite end of the building from the controlled setting of the child care facility. I provided multiple access points to parking and egress. I revised my restaurant area by moving the lounge closer to the parking entrance, separating it from the main dining area using the solid brick wall as a buffer. I provided two access points to the kitchen, one for the lounge and the other for the main dining. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Avanti glass wall partitions were the model for my edgy glass enclosure around the library, reading room, and business incubator. In segregating the spaces from high activity to less active spaces, I transitioned the ceiling height of the corridor. Adding interest, I included a </span><span style="font-family: Arial, Helvetica, sans-serif;">wavy soffit with cove light </span><span style="font-family: Arial, Helvetica, sans-serif;">fixtures, further establishing rhythm throughout Pickett. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The perspective view in plan is indicated by the cyan triangle. The adjacencies of the space are supported with a smooth transition between public and private spaces with the artist studio, library with reading room, and business incubator between the childcare and the mercantile. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The childcare facility is center stage for my vision of Pickett, enabling their parents to pursue career goals while their children are in a protected and enjoyable environment. My research of childcare facilities aided my design by separating age groups from infant to teens, providing quiet spaces for nap time, kitchen facilities, and cubbies for storage, and organized activities. The wave rhythm was emphasized with a large aquarium connecting children the natural world. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">In understanding how children move freely about the space, I </span><span style="font-family: Arial, Helvetica, sans-serif;">further developed my childcare plan by smoothing the corners of the main corridor, added glass openings to the rooms for ease of supervision, separated the activities from play time to organized activities, and access to the outside playground. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The 2nd floor plan contains a mixture of 1 and 2 bedroom apartments ranging in sizes from 1000 sf - 1350sf. The 2-bedroom apartments are mainly at the corner of the building where there was more access to natural light. To resolve a concern with dead end corners I added a screened-in-porch that could be shared for community gatherings for the residents while providing egress. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">A close up view of a typical 1-bedroom apartment shows ample access to natural light, plenty of closet space and a stackable washer and dryer with separate hot water heater. Additional storage within the apartment is contained with built-in features of bookcases in the living area, and window seat chests in the bedrooms. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The final plan for my second floor apartments resolved optimizing the space for the maximum number of apartments with different configurations the would eliminate dead end corridors. In the center I included a residents gym, but upon reflection I believe this choice was too generous, and I should have buffered it from the surrounding apartments with public storage units that would bring added revenue. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The Axon of the 3 floor plans outlines the allocation and adjacencies of planned spaces for Pickett. The design shows a separation of pubic and private spaces with a buffer transition between them. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Eddy Belk liked the way my plan progressed, saying I used the space effectively, separating the public and private spaces with a smooth transition and supported adjacencies. The residential gym was too large, and would be more effective cutting it in half and using the rest for public storage. Tim would like to have seen the exterior staircase on the second floor brought internally, only adding the external staircase for the first and the ground floors. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">The Design matrix includes material choices and conceptual design for Pickett.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiwp8cZ-aBZaBIwkzf7eAGeif93je8Z7CeAvZwdUpCnPjSzfnIrMOJRgne-Attay3YH2aLGhQ93ZcMgpdCgE0thYBtFt0YvZovxJnGO7ZxU1PXXu1WIR0WziIuf7E9r0zfc19gLOlMewE/s1600/Design+Matrix_4-27-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiwp8cZ-aBZaBIwkzf7eAGeif93je8Z7CeAvZwdUpCnPjSzfnIrMOJRgne-Attay3YH2aLGhQ93ZcMgpdCgE0thYBtFt0YvZovxJnGO7ZxU1PXXu1WIR0WziIuf7E9r0zfc19gLOlMewE/s400/Design+Matrix_4-27-1.jpg" width="400" /></a></div>
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<br />Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-36955619562570976922013-04-26T11:08:00.000-04:002013-05-04T17:18:29.021-04:00Picket Cotton Mill - 2nd Floor Residences<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn6jJ9u-68wEqhN1SI2FfqTmiU76AA4D9Bnts983lC4Blzzfda8_Uco26nwQclPhIGrk6FNYTfr0pZJcI3voew8OgTAYKKNtVgzZnR9f_PZ6LKTHVh9b635Cj9yvKz84ywVHVCzExIlVk/s1600/2nd+floor.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn6jJ9u-68wEqhN1SI2FfqTmiU76AA4D9Bnts983lC4Blzzfda8_Uco26nwQclPhIGrk6FNYTfr0pZJcI3voew8OgTAYKKNtVgzZnR9f_PZ6LKTHVh9b635Cj9yvKz84ywVHVCzExIlVk/s400/2nd+floor.jpg" width="400" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I have not completed my 2nd floor plan, but I plan to have around 30 apartments that are around 1000sf. Most will be a 1 bedroom, with a den area near the window. I have apply closet space within the apartment. I am looking into adding a 3rd space in the open area that does not have natural light. I'm considering a gym or storage. The corner apartments will be larger 2 bedrooms. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPvl97X-2SMZQCONW8tJ_TdIg1a45VpAnPc1ZMvkdIcel7TUjuWJP0NDJCupB1yHYp8nXAa6lzXsgXwyJFI4MhDAmsmDy9YquF4WBpiNkk3yccn3WyVZT0tgbpl9R_v7pF-A6knHMa9ro/s1600/1bdrm+plan+apt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPvl97X-2SMZQCONW8tJ_TdIg1a45VpAnPc1ZMvkdIcel7TUjuWJP0NDJCupB1yHYp8nXAa6lzXsgXwyJFI4MhDAmsmDy9YquF4WBpiNkk3yccn3WyVZT0tgbpl9R_v7pF-A6knHMa9ro/s400/1bdrm+plan+apt.jpg" width="177" /></a></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">My standard 1-bedroom floor plan includes stackable washer & dryers with separate hot water heaters, and ample storage for clothing and kitchen pantry. The standard 1bedroom is approximately 1000sf with built-in bookcase/entertainment center in the living area, and a window seat storage chest in the bedroom. A den or artist area is near the living area window. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">After feedback from our presentation I have long corridors that do not meet code. I'm considering revising my long corridor on the left to end into a community screen porch that will exit into an exterior staircase that will pick up the first floor, and the ground floor egress. I need to do some additional design work on the right side of my plan where there is precious northern light for artists. I would like some studios there, but considering the depth to the brick wall separation and the dead end corridor that I have on the east side in this area of the design, I am having some difficulty balancing code requirements with design desires. </span>Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-22243769960824780412013-03-20T16:39:00.002-04:002013-04-26T11:17:26.676-04:00Pickett Cotton Mill Midterm Presentation<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">When I first saw Pickett Cotton Mill I imagined it restored back to its historical context, with its large windows back in place, streaming beams of daylight upon pools of activity. A renewed purpose, revitalized and full of life and vitality. It made me smile. What could I do with this space! </span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"> Blend, the coffeehouse at Greenbelt, integrated the windows with functionality</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Upon arriving at Greenbelt my vision for Pickett was realized with our precedent study of this repurposed space, and a guided tour from its architect, Eddie Belk. The combination of the old with the new captured our hearts as the design respected its distinction in history with an authenticity to our heritage of North Carolina. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheqO-Kx-dlxdC0EZtnqgsxeBzo3UgFAtZyfH5GGEtwIFyynXxF62rN-WhVqw_3-31uLBsSppjBYzSSNle-nEimuGnpZHXs4ASvuvcgBgVDM8c-g95CiMimp1JzwyeXof8P63wh1iJCsIA/s1600/artwork+in+blend_cropped.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheqO-Kx-dlxdC0EZtnqgsxeBzo3UgFAtZyfH5GGEtwIFyynXxF62rN-WhVqw_3-31uLBsSppjBYzSSNle-nEimuGnpZHXs4ASvuvcgBgVDM8c-g95CiMimp1JzwyeXof8P63wh1iJCsIA/s320/artwork+in+blend_cropped.jpg" width="320" /></a></div>
<!--EndFragment--> <span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;">Artwork on display in the Blend at Greenbelt</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Beginning with a new concept for me, the driving force was always the light. As humans we seek comfort for our bodies but we all crave a connection to the natural world. In following with the teachings of Thomas Berry, I wanted to connect the interior space to the land, and design a space from a holistic perspective that was fully integrated, not only for the</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"> authenticity of the space, but also to pay homage to the land it rested upon. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">First impressions of a space are most important, but that impressive begins as we approach the space. What brought us there? What captures our interest? Why do we choose one place over another? I wanted to bring wonder and excitement into the space as I allowed each facet to build upon the other, unfolding into a natural progression. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">A visit to DeBeen Expresso coffeehouse in High Point was a rare find that embodied the spirit of authenticity for an eclectic "third space" design. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">In addition to loving the fountain in the center of the room with fish swimming around in it, we were dazzled as to how well the character of the place washed over us. Everywhere we looked was a special attention to detail that made the experience at DeBeen richer with our participation in the amusement. Above us t</span><span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">he ceiling was made of used </span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">burlap coffee bean bags adding to the atmosphere, like pieces of a puzzle it all came together. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Guided by the program of affordable housing for low income families and an artistic community, I considered key objectives that would lead to the success of the project by identifying the needs of users for this space. Starting with a new beginning I explored the educational resources of childcare as a vital core component. I researched precedent studies of Thomas Berry's Genesis Farm and the Greensboro Children's Museum, teaching our leaders for tomorrow that we are all members of a community of plants and animals. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The community is centered around sustainable design practices, an edible garden with small animals, integrated playground into the landscape, with expanded goals for a water collection system and micro power systems like wind and hydro-electric. Using suggestions from Evan Ben-Joseph's book on "ReThinking A Lot", integrated the parking lot into the landscape with permeable surfaces and vegetation. Making purposeful choices to design a mix-use space that takes full advantage of a combination of good ecological decisions with tax credits.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I started to develop my plan with the separation of spaces from public and private use, controlling the traffic patterns for childcare and mercantile. Looking at egress requirements for the most restrictive applications of mix-use space, assembly. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">After I set the traffic and egress paths, I was able to allocate blocks of space that I could developed into patterns of circulation for the movement of activities within the space. In separating the childcare from the mercantile I introduce activities between the two main anchors that would serve as a smooth transition between the spaces. In understanding the need for a wide range of childcare that included some supervision of after school programs, I placed a library adjacent to the child care. The library included computers with an adjacency space for a reading lounge. The adjacency to the library and reading room followed with the business incubator and conference room, and the artist studios spanning the length of these spaces. The natural progression that followed was public rest rooms, mercantile. </span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">First Floor Plan</span><br />
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">The mercantile spaces include a beauty/barber salon, coffee shop, a drug store with soda fountain, a farmer's market from the produce grown in the urban garden, and community kitchen with restaurant. The community shared kitchen spaces are a small business incubator venture that residence can rent. </span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">A new dawn is rising at Pickett Cotton Mill, filled with new ideas and ventures of a new beginnings. </span></div>
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">The Child Care plan will have separate spaces for varying age groups, separate sleeping area for infants and toddlers, a parenting conference room for classing, a directors office, kitchen facilities, ample rest areas, and a reception area. </span><br />
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">I'm focusing on the childcare section in my design because I believe this will play an important role in the community</span><br />
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<span style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; text-align: -webkit-auto;">The library will also play an important role to the educational needs of the children and adults alike in the community. It is located between the childcare facility and the business incubator. It will contain computers and will provide the opportunity for those who could not have access to a computer because of financial needs. I see this as a satellite public library the will be supported with public funds.</span></div>
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Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-60791820710699224672013-01-28T10:54:00.001-05:002013-03-20T22:03:34.799-04:00Pickett Cotton Mill<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The studio gathered together outside of Pickett for our 1st venture into viewing the space and group reconnaissance missions.</span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Our January visit to Pickett saw it still covered with fall leaves, silent, and still; a timeless beauty beckoning us. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">All that space, and orderly array of columns. The first thing I want to do is open up those windows.</span></div>
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<br />Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-42102331992887586202012-12-11T10:33:00.000-05:002012-12-13T23:59:35.484-05:00Sketch Series 5: Acoustic Analysis for Gatewood Building<div class="separator" style="clear: both; text-align: center;">
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Acoustical data was collected while class was not in session, but some students were in the area working. All units are in decibels (dB). <br />
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The studio’s geometry determines the path the sound waves travel from the originated source, the buildings occupants, reverberate along the smooth surface of the concrete floor, ceiling and walls. The glass around the perimeter of the building resonates absorbing significant amounts of low frequencies, but reflects the high frequencies back into the space. Some of the sound is absorbed by the wood surfaces. Some sound attenuates as it spreads without interruption. In a reverberant field sound waves are multiplied and interwoven. <br />
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Control of unwanted sound reflection by changing acoustical energy into heat energy absorbed within the room’s contents, wall structure, and materials surfaces. The content of the space controls the noise levels in the space while the building structure controls the transmission of the noise between the spaces. In the library where there is plush carpeting, many books, and furnishings the sound is absorbed within the room’s boundaries. The concrete cavities in the ceiling help to dissipate some of the sound waves and prevent them from travelling outside the room’s boundaries. The studio spaces with their high ceilings and sparse furnishing have none of these controls so the sound is amplified. Adding absorptive materials to a room changes the reverberating characteristics. As the studio spaces fill up with student’s materials and projects the sound transmission is reduced. The graduate offices of the art students have building materials and furnishings to reduce the sound attenuation.Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-13535908129291365212012-10-31T17:59:00.001-04:002012-10-31T19:59:59.002-04:00Shading for Visual Comfort<div class="separator" style="clear: both; text-align: left;">
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Daylight availability for visual comfort is optimized through the angled surface apertures of the shading device. The surface configuration captures the daylight and reflects the diffused light into the interior space. The path of the sun in the Northern Hemisphere of 36 degrees latitude is at the height f solar gain at 4pm during the Summer Solstice with the solar azimuth 52 degrees and the maximum solar altitude 30 degrees. Based on the path of the sun, we rotated the angles surface apertures 52 degrees to permit more light into the space during the winter months that summer. </div>
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Daylight Shading Model<br />
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Inspiration for the shade was influenced by eastern architecture from a culture whose patterns of design were based on the studying the transitional phases of the sun. The transition in the design of the shade from positive to negative openings follows this philosophy of controlling the access of the desirable qualities of light to enter the interior space.<br />
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Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com1tag:blogger.com,1999:blog-563618201110344913.post-88035150576963869992012-10-29T11:03:00.001-04:002012-10-29T22:14:52.675-04:00Light Series 4<div class="separator" style="clear: both; text-align: center;">
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Semi-Direct Downlight Indirect Uplight Lighting Conditions<br />
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Wall Grazing<br />
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Cove lighting, wall washing and task lighting<br />
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Slot and accent LightingEileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-50258972383404160312012-10-20T13:47:00.000-04:002012-10-20T13:47:01.508-04:00
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<h1>
Sound Experiences<o:p></o:p><w:sdtpr></w:sdtpr></h1>
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I was raised in a California
ranch with high ceilings. When I was
younger, the floor covering was vinyl with few household furnishings. I can recall the house echoing. My brother and I use to yell across from one
end of the house to each other, just to hear acoustics of the space. As I grew, so did the furnishings in our
home. The apex of the house was about
20 feet high, where my father built a library wall filled with books. The vinyl floor was replaced with thick
carpeting. Lots of furnishing filled
the walls and spaces in every room. Our
home became cozier and quieter. <o:p></o:p></div>
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I use to go to church with my
family in a very Old Catholic Church building with a transept, nave and high
ceilings. The priest would step into
the nave to give his sermons to the congregation. His voice would carry to the back row of the
church without microphone assistance.
The Italian priest was a very good public speaker annunciating every
syllable in a rhythmic tone to reverberate alone the hard surfaces towards the
rear of the church. <o:p></o:p></div>
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Many years later as the
congregation grew; the Church built a large auditorium below the school as an
annexation to hold larger groups for their sermons. To enter the auditorium, you would need to
walk one flight down, but daylight would still enter into the space from
windows located high up on the walls.
It was a very large rectangular space with a flat ceiling. A sound system was required for the space in
order to be heard clearly. Sound did
not travel well in the space, but it was still a noisy space. <o:p></o:p></div>
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When I recall the Old Italian
priest with his sympathetic note; I remember he only gave his sermons in the
old church. Sometimes his sermons were
in Latin, with a musical and religious tone modulating at a perfect pitch
throughout the space. When looking for
which sermon to attend on Sundays, my siblings and I would always request to
attend the mass in the church. At the
time, I thought it was the visual experience of the environment with their
beautiful stain glass windows, carved moldings and décor that inspired our
choice; but now I realize that we made a subconscious decision of preference, because it was the acoustical experience within the church that added to our enjoyment
of the space.<o:p></o:p></div>
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As a young student, I recall
a fellow male student who was an excellent whistler. On one occasion during our math class, we all
stopped to listen to him whistling from one end of the empty hall corridor
down to the other the tune “Andy Griffith of Mayberry.” It was a great whistling
tone that reverberated wonderfully down the hard surfaces of the corridor to
our attentive ears; a very pleasant memory of math class that I recall fondly
today because to the auditory enjoyment of that experience. <o:p></o:p></div>
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When I was younger, I use to
take guitar lessons. I was never a very
good guitar player, but I enjoyed listening to the reverberating sound from
the strumming of the strings on my Old Spanish guitar. The guitar was small with a wooden frame and
metal strings of different thicknesses. I still possess this guitar in my mother’s
home, kept tucked away neatly in its case.
Occasionally, when I go home to mom’s house, I pull out of my closet
that old guitar, just to listen to its beautiful tone once again, and I’m
instantly transported back to my youth.
I smile, cause the sound just washes away the years. <o:p></o:p></div>
</w:sdt><!--EndFragment-->Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-43988801093867571092012-10-05T03:13:00.001-04:002012-10-05T03:13:03.627-04:00Illuminance Reflectance Transmittance<h2>
Illuminance - Reflectance - Transmittance</h2>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbpbbswR-0rJXGc00YIO835VQGOY56jm9cUkWuWXo_lUkkUAwx7rfTnTN4Dw3SksCDBCrlV4e2Dh2HMFrb6Wj7wazTrVVoP0hY-LwaHmqaAhDBBWiU2vxzMZMVkkRuIkGUZ3z437KZGsM/s1600/BlogPost+copyFinal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbpbbswR-0rJXGc00YIO835VQGOY56jm9cUkWuWXo_lUkkUAwx7rfTnTN4Dw3SksCDBCrlV4e2Dh2HMFrb6Wj7wazTrVVoP0hY-LwaHmqaAhDBBWiU2vxzMZMVkkRuIkGUZ3z437KZGsM/s320/BlogPost+copyFinal.jpg" width="320" /></a></div>
<br />Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com1tag:blogger.com,1999:blog-563618201110344913.post-85600505487676229012012-10-05T03:10:00.000-04:002012-10-05T21:37:11.793-04:00Light Model<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<h2>
Light Model Project</h2>
<h3>
Team members </h3>
Shahrzad Sabzehar, Majedeh Modarres, Ayten Nadeau, and Eileen Carroll<br />
<br />
<h3>
Concept</h3>
<h4>
Spectrum of Shadow Forms</h4>
<div>
Humans see objects through reflections of light from surfaces of forms. Shadows are partial obscurities of light casting exaggerations of the form in space. Our light light model depicts architecture form to focus the reflections of light into a sculptured spectrum of shadow forms to energized the space with playful delight and uniqueness of character.</div>
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<h3>
Poster</h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj25bfVGPRDtp0_yghmzfnLfc20nRZxMgWWdrt1RFGwzpEKachj0b3d69Zxcz9UWIIUmKL9Nn9xJK9fY_18LBPYBKiExtqEzYBaB-dKuatpPCn3YFGj1S9uzLU3ZCpLoT2i49Tk2IuTCZ4/s1600/new+light-9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="207" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj25bfVGPRDtp0_yghmzfnLfc20nRZxMgWWdrt1RFGwzpEKachj0b3d69Zxcz9UWIIUmKL9Nn9xJK9fY_18LBPYBKiExtqEzYBaB-dKuatpPCn3YFGj1S9uzLU3ZCpLoT2i49Tk2IuTCZ4/s320/new+light-9.jpg" width="320" /></a></div>
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<h2>
Model</h2>
<div>
The angular form supports the exaggeration shadows with a colorful spectrum of light from the three primary light colors, red, green, and blue. Blue and red light together creates magenta. Red and green light creates yellow. Green and blue light creates cyan. <br />
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Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com1tag:blogger.com,1999:blog-563618201110344913.post-84535197421478866862012-10-05T02:15:00.002-04:002012-10-05T02:51:06.121-04:00Light Series 1<div class="separator" style="clear: both; text-align: center;">
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<h2>
Light Sketches Series 1</h2>
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<br />Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com1tag:blogger.com,1999:blog-563618201110344913.post-43092476905116690942012-10-04T01:43:00.002-04:002012-10-04T15:24:36.874-04:00<h2>
LIGHT SKETCH SERIES 3</h2>
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Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com1tag:blogger.com,1999:blog-563618201110344913.post-16811864549521076992012-10-04T00:29:00.003-04:002012-10-04T01:46:16.826-04:00<div class="separator" style="clear: both; text-align: center;">
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<h2>
Light Sketch Series 2</h2>
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The Weatherspoon Gallery is one of my favorite interior spaces. The combination of volume with architecture details highlighted with quality layers of lighting, compliment the space into a harmonious balance of uniqueness. The use of daylight interacting with volume captures the viewers interest immediately upon entering the space. The halogen lights supports the daylight atmosphere of stars as the architecture separates shadow from light. The culminated result is an effective use of lighting to display fine artwork, while enhancing the museum experience.<br />
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The Pet Store Plus on High Point Rd in Greensboro is a very good example of quality linear fluorescent lighting in a commercial retail space. Even though, the field of the store has only one layer of lighting by the fluorescent bulbs, it is evenly uniform throughout the store, and effectively used for display of merchandise. This strong luminance feature of the space invites the patron to linger as they ponder their selections. </div>
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The China Cafe on Spring Garden is an example of very poor lighting conditions in a restaurant. I illustrate the pendent lighting as showing some illuminance, but that is not the case for this space. The lights are not on, and in some cases do not even have bulbs. The pendent fixtures themselves are low to the table with the base fanning out too far for comfort. The main lighting of the space is fluorescent bulbs integrated into the ceiling with plastic diffusers. The plastic diffusers are old with a yellow film casting an uncomfortable luminance. The lighting is sparse and uneven within the space. No one ever eats in the restaurant; it is primarily used for take out. I believe the only reason patrons frequent the space is because the food is very good. To change the lighting conditions for the space, I think pendent lights would work well in the booths where a fixture was better suited for the size of the space, and raised at an appropriate height. Fluorescent lighting works well within this space if there are more bulbs, and the diffuser covers were replaced with new ones. Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com1tag:blogger.com,1999:blog-563618201110344913.post-48412681480453618412012-10-03T22:42:00.000-04:002012-10-04T01:55:12.257-04:00Light Experiences<div class="separator" style="clear: both; text-align: center;">
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<span class="Apple-style-span" style="color: #cccccc;"> <span style="font-size: 8pt;">Source:
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</span><br />
<h1>
<span style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-large;">
Light and Place</span><span class="Apple-style-span" style="font-size: xx-small;"><o:p></o:p></span></span></h1>
<span style="font-size: 8pt;"><span class="Apple-style-span" style="color: #cccccc;">
</span></span>
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<span style="font-size: 8pt;"><span class="Apple-style-span" style="color: #cccccc;"><br /></span></span></div>
<span style="font-size: 8pt;">
<div class="MsoBodyText" style="margin-bottom: 6pt;">
<span class="Apple-style-span" style="color: #cccccc;">Light plays a dominant role in
our daily lives enhancing the quality of our experiences; it provides light as
well as contentment. Living on the east
coast in a temperate climate, we enjoy an abundance of sunshine brightening our
spirits and promoting outdoor activities in our daily lives. As I rise to greet the day, my mood is mostly
cheerful, as I look forward to the brightness of the sun. This was not always the case, for a brief
period of time; I lived in Portland, Oregon where my experiencers with light
were dramatically different. I was lucky
to see the sun one day out of a month. When that day occurred, I would wake up cheerier,
rush to my balcony window to view the glory of Mt Hood in the distant
horizon. A beautiful canvas scene of
light purple hue floating along the hazy atmosphere sky always accompanied the
white peaks of Mt Hood. Unfortunately,
in Portland the normal daylight conditions were predominately dull and
uninspiring, as my rise for the day often required additional lighting
accommodations. <o:p></o:p></span></div>
<span class="Apple-style-span" style="color: #cccccc;"><w:sdt docpart="EBECF0DB258D4C4EB192581334D9F01A" id="6002722">
<h1>
<br /></h1>
<h1>
Light and Nature<o:p></o:p><span style="font-size: 10pt;"><w:sdtpr></w:sdtpr></span></h1>
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<br /></div>
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<span class="Apple-style-span" style="color: #cccccc;">Glistening and filtering are the first words that come to
mind when I think of light and nature.<span style="mso-spacerun: yes;">
</span>Raised on an island close to the water, I was memorized by the
reflections of light upon the water’s surface.<span style="mso-spacerun: yes;">
</span>At optimum moments of the day, the water takes on a glisten quality that
captures the mind and promotes gazing in contented silence by its beauty.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="color: #cccccc;"><br /></span></div>
<div class="MsoNormal">
<span class="Apple-style-span" style="color: #cccccc;">I enjoy walks through the woods, watching the light
interacts playfully as it filters through the canopy of trees. The quality of
light is enhanced by the presence of nature.
Light takes a supporting role highlighting the unique qualities of the
natural environment. <o:p></o:p></span></div>
<h1>
<span class="Apple-style-span" style="color: #cccccc;"><w:sdt docpart="0E14BBDE56145541ABAABBDBF4963407" id="2022039708"><br /></w:sdt></span></h1>
<h1>
<span class="Apple-style-span" style="color: #cccccc;"><w:sdt docpart="0E14BBDE56145541ABAABBDBF4963407" id="2022039708">Light
and Climate</w:sdt><o:p></o:p></span></h1>
<div>
<span class="Apple-style-span" style="color: #cccccc;"><w:sdt docpart="0E14BBDE56145541ABAABBDBF4963407" id="2022039708"><br /></w:sdt></span></div>
<div class="MsoBodyText" style="margin-bottom: 6pt;">
<span class="Apple-style-span" style="color: #cccccc;">Everyone is drawn to the
warmth of the sun.<span style="mso-spacerun: yes;"> </span>Turning our cheeks
towards the sun, we momentarily close our eyes to soak up a few rays of sunshine.
We feel energized.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>We love to vacation in warm climates, and get
sunburned in the process.<span style="mso-spacerun: yes;"> </span>The strength
of the sun makes us consider the needs of protection from sunscreen to
architectural qualities of roof overhangs and window treatments for shading. <o:p></o:p></span></div>
<div class="MsoBodyText" style="margin-bottom: 6pt;">
<span class="Apple-style-span" style="color: #cccccc;"><br /></span></div>
<span class="Apple-style-span" style="color: #cccccc;"><w:sdt docpart="661130EBC7336A44A927176D00772A4C" id="596294762">
<h1>
Light and Time<o:p></o:p><span style="font-size: 10.0pt; mso-ascii-font-family: "Century Gothic"; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-font-size: 11.0pt; mso-bidi-font-weight: normal; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: "MS ゴシック"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: "Century Gothic"; mso-hansi-theme-font: minor-latin; mso-themecolor: text1; mso-themetint: 191;"><w:sdtpr></w:sdtpr></span></h1>
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<br /></div>
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<span class="Apple-style-span" style="color: #cccccc;">Humans in essence are tuned to nature.<span style="mso-spacerun: yes;"> </span>Our biological clocks awaken us in the daylight,
and wind us down towards the night.<span style="mso-spacerun: yes;"> </span>My
internal clock starts opening my eyes at 7 and dozing me off around 11, but as
winter draws near my timeline shifts gradually.<span style="mso-spacerun: yes;">
</span>I want to go to bed earlier.<span style="mso-spacerun: yes;"> </span>I
hate coming home from work in the dark.<span style="mso-spacerun: yes;">
</span>I enjoy leaving my workplace when its still light outside.<span style="mso-spacerun: yes;"> </span>I think its human nature to want to be safe and
secure in your natural habitat, protected from unforeseen elements of the
night.<span style="mso-spacerun: yes;"> </span>Daylight savings time has
distorted the winter months into a prolonged dreariness of longing for seasonal
change.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span><br />
<span class="Apple-style-span" style="color: #cccccc;"><span style="mso-spacerun: yes;"><br /></span></span></div>
<h1>
<span class="Apple-style-span" style="color: #cccccc;"><w:sdt docpart="2E0BC08307D3F44AB60679C6C8E019D9" id="1705828620">Light
and Task</w:sdt><o:p></o:p></span></h1>
<div>
<span class="Apple-style-span" style="color: #cccccc;"><w:sdt docpart="2E0BC08307D3F44AB60679C6C8E019D9" id="1705828620"><br /></w:sdt></span></div>
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<span class="Apple-style-span" style="color: #cccccc;">Working on drawings all my
adult life has always made me keenly aware of the needs of task lighting to
illuminate my working surface. As I’ve
aged I need additional sources of ambient lighting accompanied with a focused
task light source. Florescent lights
usually bother my eyes, whereas incandescent lights are usually more
soothing. The new eco-lights of a florescent
wound up like a bulb shape promotes headaches.
The ceiling fan in my bedroom is accompanied with an LED blue hue light
that provides little illumination for any task including walking. </span><span class="Apple-style-span" style="color: #3d85c6;"><o:p></o:p></span></div>
<!--EndFragment--></span></div>
<!--EndFragment-->Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-7441556721100195562012-08-30T11:50:00.000-04:002012-08-30T11:50:38.995-04:00Impact of Light on Human Health and Welfare
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Modern life has created a multitude of advantages that were
not possible for a pre-industrialized nation.<span style="mso-spacerun: yes;">
</span>Yet with all its comforts and technological advancements, none has had a
more profound effect upon humans as our simulated environments with sources of
light.<o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
During the 1960s and 1970s, a forward thinking professor
from Kent State University, John Flynn hypothesized the psychological effects
of artificial light on humans.<span style="mso-spacerun: yes;"> </span>In Flynn’s
research, he proposed resolutions to improve the quality of light for our
“spatial Illumination.”<span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
As research continued into the study of light upon humans,
notable ailments have been attributed to the lack of natural light.<span style="mso-spacerun: yes;"> </span>Seasonal Affective Disorder (SAD) is common
in humans who live in climates where prolong periods of daylight is
absent.<span style="mso-spacerun: yes;"> </span>A notable difference in
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to daylight.<span style="mso-spacerun: yes;"> </span>This same effect is
identified in shift workers, whose<a href="" name="_GoBack"></a> exposure to natural
light is limited.<span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
In 2001 ganglion, a new eye cell receptor was identified as
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nervous system.<span style="mso-spacerun: yes;"> </span>This response signals
the human brains with changes to the body’s circadian rhythms.<span style="mso-spacerun: yes;"> </span>The resulting effect causes an impact upon
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systems.<span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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<br /></div>
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A serious impact to our cardiac system invokes changes in
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<br /></div>
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Continued research is needed to fully understand the effects
the absences of natural light has upon the human body, but enough evidence has
concluded that we as designers must recognized the impact of light on human
health and welfare when we analyze our building lighting systems. <o:p></o:p></div>
<!--EndFragment-->Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-44244873399954790982012-04-11T16:44:00.003-04:002012-04-11T16:48:44.429-04:00<div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.youtube.com/embed/FxATQqKafsE?feature=player_embedded' frameborder='0'></iframe></div> Sketch up Animation Video of UNCG IARc Library<br />
uploaded via YouTubeEileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-81755018353106590012012-01-13T16:59:00.002-05:002012-01-13T18:19:52.079-05:00Portrait of Me<div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: center;">The Thread of Family Resonates Throughout my Life - </div><div class="separator" style="clear: both; text-align: center;">There is no greater Love & Strength than that of Family</div><div class="separator" style="clear: both; text-align: center;"><br />
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</div>Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-52243625849622169672011-12-06T23:37:00.007-05:002011-12-08T13:59:56.110-05:00Greensboro Historical Museum - Final PresentationMonday the UNCG GHM design team handed off our deliverables to the GHM trustees. The deliverables included an impressive, (<i>Patrick calls sexy</i>) 1/2" = 1' scaled model of the GHM, with our design modifications, a larger detailed model of the floating wall, and black and white sketch images. <br />
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The final meeting was very successful with pleasant appreciations all around. The UNCG design was very pleased to have had the opportunity to work on this project for the community, with hope that someday their proposals may turn into a reality.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggkNJ1-cvReCXB0c359fSDAELTrY_Kd9hdiWsLlxGCLBJOGmaXfMEo43Fa_6cKCmQTxptG5lKPJzm5HXuA9FP1t0FfhtMJC9v1qbHRqfejkhdcxtdZW9sKeXieAPjBoGNFnKZMmkD89JY/s1600/ghm+group+presentation.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggkNJ1-cvReCXB0c359fSDAELTrY_Kd9hdiWsLlxGCLBJOGmaXfMEo43Fa_6cKCmQTxptG5lKPJzm5HXuA9FP1t0FfhtMJC9v1qbHRqfejkhdcxtdZW9sKeXieAPjBoGNFnKZMmkD89JY/s320/ghm+group+presentation.jpg" width="320" /></a></div>Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-89476763330305424242011-12-06T22:17:00.002-05:002011-12-07T00:52:54.906-05:00Stoel's Studio - PresentationThis week in Stoel's Studio we had our final prototype presentation with our boards<br />
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<div style="text-align: right; width: 480px;"><embed flashvars="rssFeed=http%3A%2F%2Ffeed1224.photobucket.com%2Falbums%2Fee361%2Feileencarroll%2Ffeed.rss" height="360" src="http://static.pbsrc.com/flash/rss_slideshow.swf" type="application/x-shockwave-flash" width="480" wmode="transparent"></embed><a href="http://photobucket.com/redirect/album?showShareLB=1" target="_blank"><img src="http://pic.photobucket.com/share/icons/embed/btn_geturs.gif" style="border: none;" /></a><a href="http://s1224.photobucket.com/albums/ee361/eileencarroll/" target="_blank"><img src="http://pic.photobucket.com/share/icons/embed/btn_viewall.gif" style="border: none;" /></a></div><br />
Inspired by Fine Woodworking's book on "<i>Practical Furniture Design from Drawing Board to Smart Construction</i>" by Taunton, I studied joinery in "The Complete Illustrated Guide to Joinery" by Gary Rogowski. After creating my working drawings I ventured out to the wood store with Stoel and my fellow classmates. After careful calculations, I determined I needed 30 BF. <br />
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I'm very proud of my final design project. When I started this project I was afraid of power tools. I had never used them before, and I was afraid of cutting off a finger. Matt from the wood shop had a lot of patience showing me proper procedures to accomplish my goals on the project. After he showed me a process I was empowered to accomplish it on my own. I grew very comfortable working with the bandsaw to shape my wood, and smoothing it down with the grinders and power sanders. But the real magic occurred when I applied the tung oil finish for the very first time. All the curls and contours in the wood popped. It is really beautiful. <br />
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But I really have to offer my special thanks to Stoel for his everlasting endurance of patience, and it goes without saying the all the valuable help in the wood shop.<br />
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Thank you!Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-7608634921172327642011-12-02T22:35:00.002-05:002011-12-02T22:47:11.323-05:00Building the GHM ModelThe GHM model is coming along<br />
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Looking pretty good on the outside<br />
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The interior needs a bit of work still<br />
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</div><div class="separator" style="clear: both; text-align: left;">The GHM desk model -</div><div class="separator" style="clear: both; text-align: left;"><br />
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</div><div class="separator" style="clear: both; text-align: left;"> View from entrance </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbt3B9xxY0U0QjB9swVedtPYfYNpHbBgIrhnMyo9NBExkObC0Gm542lw7sOXZC9k4_844w7lBuX-xUEGkIDMB99VnrV00koWWgevb-wV_mikL32_H5cqacJ4eVQyZtrtD1AJ-WWYx9ApE/s1600/GHM.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbt3B9xxY0U0QjB9swVedtPYfYNpHbBgIrhnMyo9NBExkObC0Gm542lw7sOXZC9k4_844w7lBuX-xUEGkIDMB99VnrV00koWWgevb-wV_mikL32_H5cqacJ4eVQyZtrtD1AJ-WWYx9ApE/s320/GHM.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><div class="separator" style="clear: both; text-align: left;"> View from receptionist</div><div class="separator" style="clear: both; text-align: left;"><br />
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</div>Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-88448468063190271602011-12-02T22:16:00.004-05:002011-12-07T02:00:28.389-05:00Stoel's Studio - Assembly<div class="separator" style="clear: both; text-align: left;">Now the fun part really begins!</div><div class="separator" style="clear: both; text-align: left;"><br />
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</div><div class="separator" style="clear: both; text-align: center;"> We put the pieces together and Whala - it's a window seat toy chest. I bet you knew it all along.</div><div class="separator" style="clear: both; text-align: center;"><br />
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</div><div style="text-align: left;"> </div>Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-72584168990813300892011-11-27T23:50:00.002-05:002011-12-02T22:11:54.487-05:00Museum Artifact CaseFrom the jungles of Peru, archeologists Monica Clendenin, Joylyn Waegerle, and Beth Lowder brought back three prized artifacts. Ms. Clendenin's discovery was of a ritual martini glass, Ms Waegerle taht of an ancient clutch wallet, and Ms. Lowder an authentic ear phone listening device preserved in its own container. These valuable artifacts will be exhibited in the UNCG museum, encased in a contemporary museum case design by Eileen Carroll. <br />
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Three cases are joined together in a leaf pattern symbolizing the jungles of Peru where these precious exhibits were found. The leaf shaped cases are angled towards the viewer, drawing the observer into the space to experience the reality of the reality of the environment.<br />
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The entire case stands 60" tall from the floor with each leaf case sized at 20" wide by 15" deep with a glass exposure of 12" high. The base of the cases grow organically outward from an elliptical stand, 26" wide by 20" deep, with a dramatic angle widening up to 50" as it greets the glass exposure of the case. <br />
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The exterior color of the case is deep brown with a lighter beige hue interior. The martini glass located is located in the left case on its own stand, protecting the delicate quality of the artifact. The clutch wallet sits in the right case on a stand enabling the clutch artifact to be fully opened for the viewer. Both the martini glass, and the clutch artifact stand 9" tall. The ear pone devices within it own container is on a 2" raised platform, and opened for the view to see the artifact in its natural state, totally 6" tall. <br />
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The vibration proof case is of a sturdy constructed aluminum extrusion frame. The exterior of the case is of power-coated metal enamel, and laminated safety glazing. The interior of the case is illuminated with light diffusers of low-voltage halogen, hidden within the top portion of the interior glass case. The interior environment for the artifacts are protected with humidity controlled settings. The world authority in high tech museum case construction, Relicase, located in Shuangliu China, fabricated the uniquely designed case structure. <br />
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The design process of the museum case was a challenge, with the criteria to show drama and unity of the exhibit, which will highlight the artifacts without distraction. Ms. Carroll looked to nature for the inspiration of the design to give an identity to the exhibit as a whole. The initial process started with the interview of the archeologists Ms. Clendenin, Ms. Waegerle, and Ms. Lower, to understand the identity of the artifacts themselves. During the interview, Ms. Carroll envisioned the basic concept, and created sketches to covey her design. The second interview with the archeologist Ms. Carroll created a mock up of the design with some color choses, materials and possible vendors for the fabrication of the case. The final presentations for the archeologists showed a finish board with a perspective illustration drawing of the design with detailed dimension specifications of the case itself.Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0tag:blogger.com,1999:blog-563618201110344913.post-80919836518225483392011-11-27T23:41:00.007-05:002011-11-28T15:03:22.134-05:00Stoel's Studio - Shaping DesignThis week in Stoel's Studio the glued up boards are shaped into the design. <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZZYnfH8c2Yf8qKK5N32b59kC0y6pSHqilCtJ73IeIqhDX-qtGl0LLqVR4La2we6yT2ptmkbroazXkbk4Dp5pYdwbQS4QGRvUnGlBnFutvXL32Nu1HzHSr_o-Swym0ZKPrFbQgkYsMhOc/s1600/chest+-+glued+side.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZZYnfH8c2Yf8qKK5N32b59kC0y6pSHqilCtJ73IeIqhDX-qtGl0LLqVR4La2we6yT2ptmkbroazXkbk4Dp5pYdwbQS4QGRvUnGlBnFutvXL32Nu1HzHSr_o-Swym0ZKPrFbQgkYsMhOc/s320/chest+-+glued+side.jpg" width="240" /></a></div><br />
The design calls for long sweeping curves to the edges. Measuring an inch down on each corner I draw my desired curve with a flexible board pressed against the vise set up at the measured corner. <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFAYtxqZWvNrAv17gUF2IDB7NagLTiybJmhzBNwTEpwRd6zThzDRz78j_ZZq8-r4tu4GbGlNtZPOD7rsKsmc43WKuUXROXR9l3gQ8KX71opqUe6HG-TEzbQD-Bu7QIY9RaR4Isil2k4v0/s1600/chest+-+brd+against+vise+2.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFAYtxqZWvNrAv17gUF2IDB7NagLTiybJmhzBNwTEpwRd6zThzDRz78j_ZZq8-r4tu4GbGlNtZPOD7rsKsmc43WKuUXROXR9l3gQ8KX71opqUe6HG-TEzbQD-Bu7QIY9RaR4Isil2k4v0/s320/chest+-+brd+against+vise+2.JPG" width="240" /></a></div><br />
Then I draw a line against the board.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ8Lyp0tHYzooeOXlULYVRnxTSOOwZJyiHYm3tjJdy4eXCii4KYJ9AD7hN5Q3tRsWsXHmths1k6JajrSmiojV6Y1xRCR_3ubJximvq6k9wok-AtF-qrzdhZOym8tX6JG8B8kU-2XWlaX8/s1600/chest+-+brd+against+vise.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ8Lyp0tHYzooeOXlULYVRnxTSOOwZJyiHYm3tjJdy4eXCii4KYJ9AD7hN5Q3tRsWsXHmths1k6JajrSmiojV6Y1xRCR_3ubJximvq6k9wok-AtF-qrzdhZOym8tX6JG8B8kU-2XWlaX8/s320/chest+-+brd+against+vise.JPG" width="240" /></a></div><br />
After my line is drawn, I cut the out the design on the bandsaw.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIb12zVtLUOmtdC558VOiH0qs5TSNOwRdn8e5D7QPsgdZwqHnGZi_eZTb8_CwiYP-VL6GlsasRv88m7736y5G8zT4GpmRHVxV74r64_8oJmKljVW0SvxsflZpTmxZ2CMvvwvDKCh7IS-8/s1600/chest+bandsaw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIb12zVtLUOmtdC558VOiH0qs5TSNOwRdn8e5D7QPsgdZwqHnGZi_eZTb8_CwiYP-VL6GlsasRv88m7736y5G8zT4GpmRHVxV74r64_8oJmKljVW0SvxsflZpTmxZ2CMvvwvDKCh7IS-8/s320/chest+bandsaw.jpg" width="240" /></a></div><br />
After the bandsaw cut, I sand down the rough edges until it is smooth. The finished piece with the desired curves is to the side to my design.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLCYWBL97YjwnGlI6VhzQYgn_hXXOgU3H56Am1YbzS3I73g1dJQy_pKwqG2gdG6N3gBJW7-92Bl7yj5SoZ6bfdUjcCQUcJSHbejRGtC6IlcgdUA_Ero5-VZrJ1AzIO2uDVXXtrs_Qt51U/s1600/chest+side.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLCYWBL97YjwnGlI6VhzQYgn_hXXOgU3H56Am1YbzS3I73g1dJQy_pKwqG2gdG6N3gBJW7-92Bl7yj5SoZ6bfdUjcCQUcJSHbejRGtC6IlcgdUA_Ero5-VZrJ1AzIO2uDVXXtrs_Qt51U/s320/chest+side.jpg" width="240" /></a></div>Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0Greensboro, NC, USA36.0726354 -79.79197540000001335.9575709 -79.965487900000014 36.187699900000005 -79.618462900000011tag:blogger.com,1999:blog-563618201110344913.post-8328848188769358122011-11-20T23:29:00.001-05:002011-11-20T23:46:23.958-05:00Building the GHM ModelBuilding the GHM Model would be a disaster without instructions. Luckily we have a key. Etched into all the pieces is a number which corresponds to a printed out image and description. <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCEroT5XA_c4JrQ4DbIASrb9vtH8XSVR2jFZh7yzp6U8ekfeKoRISDo8fPFzcTp5LffmL_UWc-vFYkMWotHdbCVY-pA42GFqYdUkddxtxbkNjpKi4lLPoabi9W3PC1MZO6wgn_QvY0kH0/s1600/GHM+Model+pieces+3" imageanchor="1" style="margin-left:1em; margin-right:1em"><img border="0" height="240" width="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCEroT5XA_c4JrQ4DbIASrb9vtH8XSVR2jFZh7yzp6U8ekfeKoRISDo8fPFzcTp5LffmL_UWc-vFYkMWotHdbCVY-pA42GFqYdUkddxtxbkNjpKi4lLPoabi9W3PC1MZO6wgn_QvY0kH0/s320/GHM+Model+pieces+3" /></a></div>Eileenhttp://www.blogger.com/profile/09055854751283421651noreply@blogger.com0